Related Paintings of Alma Tadema :. | Love's Votaries | A Sculpture Gallery | Alma Tadema reproductions, photographed in our studio | Expectations | The Finding of Moses |
Related Artists:
Alfred Ordway
(1821 - 1897) was an American landscape and portrait painter, and one of the founding fathers of the Boston Art Club. Alfred was born in Roxbury, Massachusetts to mother Currier, and father Thomas Ordway on March 9, 1821. With his father being the cities' clerk, Alfred spent the majority of his childhood in Lowell, Massachusetts. His family can be traced back to the early 17th century when James Ordway settled in Dover, New Hampshire. Both his parents fought in the Revolutionary War, and his grandfather, Nehemiah Ordway, a physician in Amesbury, Massachusetts, was put in charge "to form and equip a company for Bunker Hill".
Sigmund Freudenberger
Swiss, 1745-1801,Swiss painter, draughtsman and engraver. In 1761 he went to work for the portrait painter Emanuel Handmann in Basle, where he stayed for three years. In 1765, with Adrian Zingg (1734-86), he left for Paris, where he trained with Jakob Schmutzer (1733-1811) and frequented the studio of Jean Georges Wille, the celebrated engraver. He worked as a book illustrator during this period. The work of Boucher, whom he met, and of Greuze and Fragonard had a significant influence on his artistic development. Freudenberger returned in 1773 to Berne, where he undertook several portraits. He became friendly with Johann Ludwig Aberli, with whom he travelled the countryside, which he recorded in numerous drawings, watercolours and engravings. He specialized in genre scenes, rustic still-lifes and portrayals of Bernese peasant life, which became very popular. In some works, such as a red chalk drawing of A Woman Playing the Harp (1778; Zurich, Schweizer. Landesmus.), he continued the gallant style he had learnt from Boucher. His watercolours were frequently engraved, either individually or in series, and hand-coloured. His style is characterized by detailed and careful execution and by an intimate, narrative approach, although he tended to idealize his rustic subject-matter. His work was significant in introducing genre subjects in Switzerland, where artists had tended to concentrate on pure landscape. He ran a large studio where Daniel Lafond (1763-1831), Niklaus Kenig and Georg Mind (1768-1814) were pupils. The French Revolution was disastrous for his art and his business and clouded the last years of his life.
Georg Emanuel Opiz
1775 - 1841